
Beginning with her first release, the 1960 single 'Bye, Bye Baby', the 17 year old Mary was introduced to the world as a promising new addition to the Motown cast. Featuring a uniquely gritty production quality, 'Bye Bye Baby' shows Wells as a brazenly powerful singer, who though not yet in her prime, would never again quite capture the raw

It was only a few years later in 1964, that her most well known hit 'My Guy' was released, displacing the Beatles number one spot in the charts. Mary's voice had found it's place, and though a great song, 'My Guy' was miles away from the energy of her first two singles, lacking that certain charming, innocence of naivety that the more experienced individual often loses in their search for perfection. As usual, when an artist becomes associated with one particular hit, the rest of their output no matter how good, becomes overshadowed. But Mary Wells, was no one hit wonder. I'll take a great tune like the Martha Reeves-esque 'You Lost the Sweetest Boy' or 'Two Wrongs Don't Make a Right' over 'My Guy' any day of the week.

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